| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
По разделу |
70167 | 1114 |
93 |
109 |
124 |
132 |
87 |
98 |
78 |
63 |
72 |
89 |
80 |
89 |
0 |
9 |
5 |
5 |
7 |
2 |
3 |
1 |
4 |
3 |
3 |
3 |
8 |
3 |
2 |
7 |
3 |
3 |
7 |
8 |
4 |
3 |
1 |
3 |
2 |
6 |
4 |
2 |
3 |
4 |
4 |
6 |
5 |
7 |
2 |
5 |
2 |
3 |
11 |
6 |
3 |
7 |
3 |
3 |
1 |
2 |
4 |
5 |
3 |
2 |
2 |
3 |
3 |
6 |
3 |
3 |
3 |
1 |
6 |
5 |
4 |
6 |
Культурный цикл: режиссура от шестидесятников к поколению-post/ |
2433 | 889 |
91 |
94 |
112 |
127 |
71 |
79 |
49 |
45 |
45 |
59 |
55 |
62 |
0 |
9 |
5 |
5 |
7 |
2 |
3 |
1 |
4 |
3 |
3 |
3 |
8 |
3 |
1 |
7 |
3 |
2 |
7 |
8 |
4 |
3 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
4 |
4 |
6 |
5 |
7 |
1 |
4 |
2 |
2 |
11 |
6 |
3 |
7 |
3 |
3 |
1 |
1 |
4 |
2 |
3 |
1 |
2 |
2 |
3 |
5 |
2 |
3 |
0 |
1 |
6 |
5 |
4 |
6 |
Логика перемен. Анатолий Васильев: между прошлым и будущим |
19203 | 419 |
31 |
35 |
51 |
48 |
26 |
31 |
35 |
26 |
30 |
33 |
37 |
36 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
1 |
6 |
2 |
1 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
3 |
0 |
4 |
2 |
1 |
0 |
Режиссеры-шестидесятники |
1471 | 368 |
24 |
35 |
40 |
24 |
21 |
30 |
32 |
13 |
24 |
48 |
32 |
45 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
Театр Анатолия Васильева 70-80 гг. Метод и эстетика |
13278 | 334 |
24 |
39 |
26 |
27 |
24 |
31 |
16 |
20 |
24 |
29 |
25 |
49 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
3 |
0 |
0 |
0 |
0 |
6 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
Миндаугас Карбаускис: в поисках дома |
6290 | 225 |
16 |
17 |
17 |
15 |
15 |
12 |
25 |
18 |
35 |
19 |
11 |
25 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
Режиссер Игорь Яцко - школа Васильева |
4456 | 203 |
13 |
23 |
18 |
16 |
18 |
13 |
15 |
16 |
15 |
20 |
12 |
24 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
Успех Дмитрия Крымова |
4158 | 200 |
12 |
25 |
21 |
19 |
18 |
11 |
20 |
7 |
16 |
13 |
14 |
24 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
Смерть драмы |
3637 | 171 |
14 |
20 |
16 |
11 |
11 |
10 |
9 |
8 |
15 |
13 |
21 |
23 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
Режиссеры-шестидесятники |
873 | 160 |
9 |
15 |
19 |
14 |
7 |
9 |
5 |
4 |
10 |
15 |
16 |
37 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
Эпатаж и игра в спектаклях Константина Богомолова |
2704 | 159 |
15 |
21 |
22 |
22 |
9 |
9 |
7 |
5 |
8 |
10 |
8 |
23 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
Вся жизнь. "Старик и море" в постановке А. Васильева |
1615 | 157 |
12 |
20 |
14 |
12 |
13 |
8 |
9 |
7 |
14 |
13 |
13 |
22 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
Мышкин, Тьмышкин и другие |
2035 | 151 |
11 |
15 |
14 |
11 |
12 |
9 |
10 |
7 |
13 |
14 |
11 |
24 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
О тенденциях современной режиссуры |
1546 | 144 |
11 |
11 |
29 |
20 |
11 |
4 |
9 |
5 |
10 |
8 |
8 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
Мир идей первичен. Интервью с А. Огаревым |
1793 | 133 |
6 |
17 |
12 |
5 |
12 |
7 |
9 |
7 |
12 |
14 |
9 |
23 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
Ученик и учитель |
2706 | 131 |
8 |
18 |
10 |
12 |
12 |
6 |
7 |
5 |
9 |
5 |
8 |
31 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
Маски Гоголя |
1969 | 124 |
6 |
15 |
13 |
11 |
8 |
14 |
6 |
5 |
7 |
12 |
8 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |