| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 |
|
По разделу |
74319 | 1478 |
58 |
137 |
115 |
109 |
125 |
176 |
135 |
131 |
127 |
109 |
124 |
132 |
1 |
6 |
6 |
5 |
3 |
6 |
3 |
3 |
6 |
6 |
8 |
5 |
7 |
9 |
9 |
8 |
4 |
3 |
2 |
6 |
4 |
2 |
5 |
2 |
5 |
2 |
4 |
4 |
5 |
4 |
5 |
3 |
5 |
3 |
2 |
2 |
5 |
6 |
4 |
4 |
4 |
6 |
3 |
2 |
5 |
2 |
3 |
2 |
4 |
2 |
3 |
5 |
3 |
6 |
4 |
4 |
4 |
4 |
2 |
7 |
2 |
4 |
|
Культурный цикл: режиссура от шестидесятников к поколению-post/ |
3348 | 1339 |
49 |
118 |
105 |
86 |
115 |
168 |
122 |
125 |
118 |
94 |
112 |
127 |
0 |
6 |
6 |
5 |
1 |
6 |
2 |
3 |
4 |
4 |
8 |
4 |
7 |
9 |
9 |
8 |
1 |
3 |
2 |
6 |
4 |
2 |
4 |
0 |
3 |
2 |
4 |
4 |
4 |
4 |
4 |
2 |
1 |
3 |
0 |
2 |
5 |
6 |
2 |
4 |
4 |
6 |
3 |
2 |
4 |
0 |
3 |
2 |
4 |
1 |
1 |
5 |
2 |
6 |
4 |
4 |
4 |
4 |
1 |
7 |
2 |
4 |
|
Логика перемен. Анатолий Васильев: между прошлым и будущим |
19575 | 537 |
29 |
58 |
22 |
44 |
46 |
83 |
36 |
35 |
50 |
35 |
51 |
48 |
0 |
2 |
2 |
2 |
2 |
3 |
1 |
1 |
6 |
5 |
4 |
1 |
1 |
5 |
4 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
5 |
2 |
5 |
3 |
0 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
|
Режиссеры-шестидесятники |
1870 | 522 |
23 |
71 |
35 |
33 |
49 |
95 |
53 |
33 |
31 |
35 |
40 |
24 |
0 |
0 |
2 |
5 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
5 |
3 |
3 |
2 |
2 |
2 |
1 |
1 |
3 |
3 |
1 |
5 |
1 |
3 |
1 |
2 |
4 |
5 |
2 |
3 |
3 |
3 |
2 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
5 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Театр Анатолия Васильева 70-80 гг. Метод и эстетика |
13607 | 445 |
22 |
58 |
33 |
33 |
40 |
89 |
24 |
19 |
35 |
39 |
26 |
27 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
3 |
0 |
6 |
1 |
2 |
2 |
3 |
2 |
2 |
4 |
2 |
0 |
6 |
0 |
2 |
2 |
1 |
5 |
2 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
|
Успех Дмитрия Крымова |
4359 | 278 |
7 |
27 |
18 |
19 |
23 |
70 |
16 |
13 |
20 |
25 |
21 |
19 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
0 |
0 |
|
Режиссер Игорь Яцко - школа Васильева |
4646 | 260 |
11 |
29 |
14 |
19 |
19 |
64 |
15 |
13 |
19 |
23 |
18 |
16 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
|
Миндаугас Карбаускис: в поисках дома |
6478 | 253 |
8 |
29 |
15 |
17 |
26 |
63 |
16 |
10 |
20 |
17 |
17 |
15 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
|
Вся жизнь. "Старик и море" в постановке А. Васильева |
1809 | 252 |
14 |
25 |
17 |
18 |
21 |
66 |
18 |
11 |
16 |
20 |
14 |
12 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Смерть драмы |
3826 | 250 |
8 |
28 |
16 |
17 |
20 |
70 |
11 |
15 |
18 |
20 |
16 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
|
Эпатаж и игра в спектаклях Константина Богомолова |
2870 | 246 |
14 |
23 |
9 |
12 |
20 |
64 |
14 |
7 |
18 |
21 |
22 |
22 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Мышкин, Тьмышкин и другие |
2230 | 246 |
17 |
31 |
13 |
17 |
20 |
66 |
14 |
14 |
14 |
15 |
14 |
11 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
О тенденциях современной режиссуры |
1712 | 237 |
7 |
26 |
10 |
11 |
20 |
65 |
15 |
7 |
16 |
11 |
29 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Режиссеры-шестидесятники |
1044 | 228 |
9 |
26 |
12 |
15 |
20 |
64 |
14 |
8 |
12 |
15 |
19 |
14 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Мир идей первичен. Интервью с А. Огаревым |
1968 | 215 |
9 |
24 |
9 |
14 |
25 |
68 |
14 |
9 |
9 |
17 |
12 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Ученик и учитель |
2856 | 198 |
8 |
19 |
11 |
17 |
17 |
61 |
7 |
8 |
10 |
18 |
10 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Маски Гоголя |
2121 | 197 |
10 |
22 |
9 |
10 |
17 |
62 |
14 |
6 |
8 |
15 |
13 |
11 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |