| Итого | За последние 12 месяцев | Jul | Jun | May |
| Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
По разделу |
67393 | 944 |
33 |
89 |
80 |
89 |
74 |
73 |
93 |
101 |
82 |
96 |
73 |
61 |
1 |
2 |
2 |
2 |
3 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
4 |
3 |
9 |
9 |
4 |
2 |
3 |
2 |
4 |
1 |
3 |
3 |
3 |
2 |
2 |
3 |
2 |
3 |
4 |
2 |
2 |
3 |
2 |
2 |
3 |
1 |
2 |
5 |
1 |
2 |
2 |
3 |
5 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
2 |
2 |
4 |
3 |
7 |
3 |
1 |
Культурный цикл: режиссура от шестидесятников к поколению-post/ |
1742 | 601 |
22 |
59 |
55 |
62 |
51 |
51 |
46 |
81 |
55 |
51 |
38 |
30 |
0 |
1 |
2 |
2 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
9 |
9 |
0 |
2 |
2 |
1 |
4 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
5 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
3 |
5 |
2 |
1 |
Логика перемен. Анатолий Васильев: между прошлым и будущим |
18898 | 399 |
8 |
33 |
37 |
36 |
37 |
31 |
53 |
35 |
34 |
41 |
35 |
19 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
7 |
1 |
0 |
Театр Анатолия Васильева 70-80 гг. Метод и эстетика |
13054 | 397 |
7 |
29 |
25 |
49 |
38 |
30 |
38 |
33 |
36 |
52 |
40 |
20 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
Режиссеры-шестидесятники |
1240 | 355 |
12 |
48 |
32 |
45 |
32 |
22 |
27 |
29 |
31 |
28 |
30 |
19 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
3 |
2 |
1 |
3 |
1 |
2 |
5 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
Миндаугас Карбаускис: в поисках дома |
6131 | 250 |
11 |
19 |
11 |
25 |
24 |
15 |
21 |
28 |
21 |
25 |
29 |
21 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
Режиссер Игорь Яцко - школа Васильева |
4315 | 225 |
6 |
20 |
12 |
24 |
20 |
12 |
17 |
22 |
25 |
23 |
21 |
23 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
Режиссеры-шестидесятники |
783 | 197 |
2 |
15 |
16 |
37 |
25 |
18 |
20 |
16 |
15 |
15 |
11 |
7 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
Мышкин, Тьмышкин и другие |
1937 | 185 |
4 |
14 |
11 |
24 |
17 |
13 |
25 |
18 |
13 |
18 |
13 |
15 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
Вся жизнь. "Старик и море" в постановке А. Васильева |
1509 | 169 |
3 |
13 |
13 |
22 |
15 |
8 |
23 |
17 |
12 |
25 |
11 |
7 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
Смерть драмы |
3525 | 167 |
2 |
13 |
21 |
23 |
12 |
7 |
15 |
14 |
20 |
16 |
13 |
11 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
Успех Дмитрия Крымова |
4012 | 166 |
3 |
13 |
14 |
24 |
17 |
9 |
18 |
16 |
16 |
18 |
12 |
6 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
Мир идей первичен. Интервью с А. Огаревым |
1709 | 156 |
3 |
14 |
9 |
23 |
18 |
15 |
14 |
15 |
14 |
13 |
12 |
6 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Эпатаж и игра в спектаклях Константина Богомолова |
2588 | 137 |
2 |
10 |
8 |
23 |
9 |
9 |
12 |
18 |
17 |
10 |
10 |
9 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Ученик и учитель |
2623 | 136 |
4 |
5 |
8 |
31 |
13 |
8 |
14 |
10 |
14 |
11 |
11 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
О тенденциях современной режиссуры |
1440 | 130 |
4 |
8 |
8 |
18 |
12 |
10 |
13 |
15 |
15 |
13 |
8 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
Маски Гоголя |
1887 | 125 |
3 |
12 |
8 |
19 |
13 |
9 |
10 |
19 |
12 |
10 |
7 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |