| Итого | За последние 12 месяцев | Sep | Aug | Jul |
| Всего | 12мес | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 |
|
По разделу |
471467 | 4625 |
114 |
258 |
1459 |
499 |
500 |
253 |
233 |
299 |
317 |
246 |
266 |
181 |
0 |
4 |
6 |
6 |
6 |
3 |
2 |
3 |
3 |
3 |
7 |
5 |
3 |
6 |
3 |
3 |
3 |
8 |
5 |
10 |
9 |
7 |
9 |
6 |
4 |
9 |
4 |
5 |
4 |
4 |
6 |
3 |
3 |
4 |
4 |
10 |
4 |
6 |
7 |
8 |
4 |
3 |
3 |
4 |
10 |
24 |
20 |
21 |
17 |
17 |
9 |
18 |
13 |
4 |
5 |
5 |
6 |
5 |
9 |
3 |
4 |
5 |
|
"Герои и сюжеты русской литературы 19 века: имена, образы, идеи". |
163107 | 3663 |
64 |
188 |
1343 |
177 |
358 |
147 |
199 |
290 |
287 |
216 |
250 |
144 |
0 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
3 |
2 |
2 |
0 |
3 |
3 |
0 |
1 |
3 |
2 |
5 |
6 |
8 |
7 |
2 |
2 |
3 |
7 |
1 |
3 |
4 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
6 |
5 |
6 |
2 |
3 |
1 |
0 |
8 |
24 |
20 |
19 |
16 |
17 |
9 |
6 |
13 |
3 |
5 |
5 |
2 |
5 |
5 |
2 |
1 |
4 |
|
"Болваны" |
22191 | 1830 |
103 |
124 |
196 |
348 |
151 |
159 |
151 |
101 |
143 |
133 |
114 |
107 |
0 |
4 |
6 |
6 |
6 |
2 |
2 |
2 |
0 |
1 |
7 |
5 |
2 |
6 |
3 |
3 |
0 |
8 |
5 |
10 |
9 |
7 |
9 |
4 |
4 |
9 |
3 |
4 |
4 |
1 |
6 |
3 |
2 |
2 |
4 |
10 |
4 |
1 |
7 |
8 |
3 |
2 |
1 |
1 |
7 |
1 |
2 |
3 |
4 |
2 |
7 |
5 |
7 |
3 |
2 |
3 |
3 |
5 |
9 |
3 |
1 |
2 |
|
"География и пространство русской литературы 19 века" |
26765 | 1142 |
35 |
168 |
87 |
101 |
130 |
161 |
130 |
77 |
59 |
81 |
49 |
64 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
3 |
3 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
0 |
2 |
2 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
3 |
1 |
10 |
23 |
19 |
21 |
17 |
14 |
6 |
18 |
2 |
1 |
2 |
3 |
3 |
3 |
1 |
2 |
1 |
1 |
|
Преддуэльная история Пушкина (загадки и гипотезы) |
23728 | 718 |
28 |
62 |
54 |
58 |
94 |
76 |
44 |
44 |
62 |
75 |
62 |
59 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
5 |
3 |
4 |
2 |
0 |
1 |
4 |
3 |
3 |
1 |
4 |
3 |
2 |
4 |
1 |
0 |
4 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
4 |
3 |
|
Тема смерти в новелле о любви ("Кармен" П. Мериме) |
17065 | 677 |
23 |
36 |
56 |
50 |
56 |
52 |
53 |
46 |
59 |
65 |
82 |
99 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
6 |
1 |
2 |
3 |
0 |
3 |
1 |
2 |
0 |
3 |
0 |
6 |
1 |
1 |
2 |
2 |
2 |
|
Военная судьба М.Ю. Лермонтова |
27731 | 595 |
11 |
22 |
43 |
51 |
52 |
63 |
55 |
55 |
42 |
71 |
62 |
68 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
5 |
|
"Тютчев: душа на грани двух миров (Секрет неистощимой двойственности художника)" |
12356 | 578 |
14 |
24 |
51 |
53 |
51 |
51 |
36 |
30 |
51 |
76 |
74 |
67 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
2 |
3 |
2 |
4 |
3 |
3 |
1 |
|
Тема тщеславия в романе Стендаля "Красное и черное" |
31094 | 561 |
26 |
29 |
39 |
60 |
45 |
38 |
54 |
39 |
56 |
56 |
56 |
63 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
|
Образ Христа и концепция человека в романе Ф.М. Достоевского "Идиот" |
20307 | 553 |
19 |
29 |
37 |
40 |
44 |
50 |
55 |
29 |
59 |
76 |
53 |
62 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
|
Рассказ М.А. Шолохова "Судьба человека и "Книга Иова" |
20277 | 542 |
17 |
26 |
26 |
34 |
30 |
64 |
41 |
48 |
51 |
68 |
71 |
66 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
|
Ностальгия по жертвоприношению |
7060 | 537 |
13 |
22 |
20 |
120 |
142 |
43 |
26 |
20 |
27 |
36 |
35 |
33 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
|
"Музыкальное мышление Ф.М. Достоевского и лейтмотивность композиций его романов" |
6680 | 455 |
12 |
25 |
35 |
50 |
48 |
46 |
47 |
25 |
33 |
44 |
38 |
52 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Дело чести, или Метаморфозы русской дуэли |
10960 | 375 |
21 |
23 |
28 |
32 |
24 |
33 |
48 |
26 |
31 |
38 |
35 |
36 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
|
"Семейные сны" |
11259 | 324 |
17 |
22 |
33 |
36 |
33 |
22 |
40 |
8 |
19 |
40 |
33 |
21 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
|
Будем как дети |
12354 | 315 |
26 |
32 |
21 |
19 |
24 |
17 |
24 |
12 |
27 |
27 |
35 |
51 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Русские писатели |
14929 | 314 |
12 |
105 |
17 |
13 |
22 |
13 |
24 |
6 |
26 |
23 |
16 |
37 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
5 |
18 |
18 |
19 |
13 |
13 |
3 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
"Роза мира" Даниила Андреева и чудо как культурно-исторический факт |
8327 | 297 |
14 |
18 |
38 |
19 |
17 |
23 |
32 |
15 |
24 |
36 |
29 |
32 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Тарковский остался собой |
7410 | 280 |
16 |
106 |
13 |
15 |
10 |
16 |
13 |
9 |
17 |
21 |
24 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
6 |
20 |
16 |
18 |
14 |
13 |
5 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
"Литературоведение как миф" |
9765 | 274 |
14 |
24 |
28 |
14 |
23 |
23 |
21 |
11 |
17 |
25 |
48 |
26 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |