| Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | |
| По разделу | 53884 | 1958 | 192 | 183 | 309 | 243 | 156 | 134 | 169 | 153 | 100 | 113 | 83 | 123 | 0 | 4 | 4 | 5 | 3 | 6 | 6 | 3 | 6 | 8 | 7 | 4 | 3 | 6 | 8 | 3 | 10 | 34 | 12 | 9 | 10 | 13 | 7 | 4 | 4 | 5 | 8 | 4 | 2 | 11 | 7 | 8 | 2 | 3 | 7 | 8 | 8 | 7 | 8 | 6 | 6 | 5 | 4 | 4 | 4 | 4 | 11 | 11 | 8 | 3 | 12 | 5 | 6 | 3 | 5 | 2 | 4 | 5 | 3 | 7 | 9 | 7 |
| Искупительный путь адамов. Авторские права защищены | 6626 | 1823 | 187 | 174 | 308 | 242 | 128 | 121 | 166 | 151 | 78 | 100 | 56 | 112 | 0 | 2 | 4 | 5 | 2 | 6 | 6 | 3 | 6 | 8 | 7 | 2 | 3 | 6 | 8 | 3 | 10 | 34 | 12 | 9 | 10 | 13 | 7 | 4 | 4 | 5 | 8 | 4 | 2 | 11 | 7 | 8 | 2 | 2 | 4 | 8 | 8 | 7 | 8 | 6 | 6 | 5 | 4 | 4 | 4 | 4 | 11 | 11 | 8 | 3 | 12 | 5 | 6 | 3 | 2 | 1 | 4 | 4 | 2 | 7 | 9 | 7 |
| Конфликт и трансформация личности и общества в русской и зарубежной литературе Авторские права защищены | 1037 | 462 | 39 | 63 | 57 | 60 | 74 | 25 | 35 | 23 | 19 | 13 | 17 | 37 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 3 | 3 | 3 | 2 | 1 | 1 | 7 | 0 | 1 | 3 | 1 | 1 | 3 | 1 | 0 | 4 | 0 | 0 | 5 | 6 | 2 | 2 | 0 | 3 | 1 | 3 | 2 | 1 | 1 | 3 | 0 | 4 | 0 | 2 | 4 | 3 | 2 | 0 | 5 | 3 | 2 | 2 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 |
| Публицистические тенденции в прозе и поэзии Древнего Рима. Авторские права защищены | 1514 | 420 | 25 | 48 | 56 | 46 | 47 | 32 | 27 | 32 | 24 | 41 | 23 | 19 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 2 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 2 | 0 | 4 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 4 | 4 | 1 | 1 | 2 | 1 | 1 | 5 | 1 | 1 | 2 | 0 |
| Особенности публицистического жанра Запада и Востока эпохи Ренессанса. Авторские права защищены | 765 | 359 | 20 | 37 | 49 | 34 | 41 | 11 | 25 | 31 | 26 | 30 | 31 | 24 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 1 | 4 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 |
| Меркнущие огни | 6826 | 310 | 21 | 34 | 35 | 33 | 37 | 24 | 18 | 39 | 17 | 16 | 13 | 23 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 4 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 7 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 |
| Проблема объективной и тенденциозной оценки в публицистическом произведении Гая Юлия Цезаря "Записки о Галльской войне" Авторские права защищены | 713 | 305 | 15 | 24 | 31 | 25 | 43 | 24 | 22 | 25 | 18 | 25 | 22 | 31 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 1 | 0 |
| Конфликт и трансформация личности и общества в русской и зарубежной литературе | 1237 | 300 | 15 | 26 | 30 | 30 | 33 | 16 | 43 | 29 | 21 | 19 | 16 | 22 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 2 |
| Философия хуруфизма в романе Исы Гусейнова "Судный день" (к проблеме трансформации религиозного мировосприятия социума). Авторские права защищены | 579 | 258 | 11 | 23 | 31 | 20 | 32 | 25 | 15 | 34 | 18 | 18 | 9 | 22 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 |
| Сорок пять веков в минуту | 5737 | 233 | 12 | 26 | 35 | 30 | 19 | 19 | 21 | 25 | 7 | 11 | 11 | 17 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Архетип женских образов в литературах Востока. Авторские права защищены | 511 | 220 | 13 | 19 | 15 | 33 | 26 | 15 | 9 | 23 | 20 | 14 | 15 | 18 | 0 | 4 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 5 | 0 | 0 | 0 | 0 |
| Ораторство - верный путь к успеху (образ Юлия Цезаря в отражении "избранных жизнеописаний" Плутарха) Авторские права защищены | 489 | 213 | 9 | 9 | 12 | 23 | 25 | 9 | 16 | 20 | 33 | 31 | 15 | 11 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
| Феномен эвгемеризма в мировосприятии древнего социума. Авторские права защищены | 467 | 212 | 19 | 26 | 21 | 17 | 28 | 10 | 22 | 19 | 10 | 15 | 11 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 |
| Свобода ценою в денарий. Авторские права защищены | 3025 | 204 | 8 | 15 | 22 | 20 | 34 | 16 | 16 | 23 | 8 | 14 | 9 | 19 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 0 | 0 |
| Нет повести печальнее на свете... (к одной особенности мировосприятия восточного социума раннего Средневековья) Авторские права защищены | 449 | 198 | 8 | 13 | 34 | 22 | 28 | 12 | 10 | 20 | 11 | 16 | 12 | 12 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 |
| Добро и Зло (к проблеме дуалистического мировосприятия социума в период религиозно-мировоззренческой трансформации) Авторские права защищены | 430 | 193 | 2 | 16 | 23 | 27 | 29 | 17 | 15 | 23 | 11 | 12 | 9 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 0 |
| Карнавал абсурда | 4135 | 191 | 5 | 18 | 21 | 17 | 19 | 11 | 21 | 21 | 16 | 17 | 11 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 |
| Не евангелие. Авторские права защищены | 580 | 191 | 8 | 24 | 19 | 20 | 27 | 11 | 20 | 20 | 10 | 11 | 8 | 13 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 |
| Антиклерикальные мотивы в европейских литературах эпохи Возрождения. Авторские права защищены | 501 | 187 | 4 | 15 | 14 | 30 | 26 | 12 | 11 | 19 | 13 | 13 | 16 | 14 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
| Последний викинг. Авторские права защищены | 2912 | 184 | 5 | 17 | 18 | 23 | 25 | 10 | 13 | 19 | 14 | 15 | 9 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | |
| Проблема бессмертия в мифологическом мировосприятии. Авторские права защищены | 420 | 184 | 4 | 16 | 21 | 25 | 27 | 10 | 10 | 22 | 14 | 12 | 12 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 |
| История журналистики зарубежных стран. Авторские права защищены | 1281 | 184 | 3 | 11 | 21 | 17 | 31 | 8 | 15 | 22 | 13 | 12 | 12 | 19 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
| Проблема конфликта личности и общества (романы Д.Мережковского "Юлиан Отступник", "Леонардо да Винчи", Исы Гусейнова "Судный день") Авторские права защищены | 509 | 184 | 6 | 16 | 16 | 23 | 27 | 16 | 11 | 18 | 11 | 16 | 12 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 0 |
| Через "тернии" - к высокому искусству (к особенностям развития публицистики в историческом и социально-миро-возќзренќќческом контексте) Авторские права защищены | 421 | 183 | 0 | 20 | 26 | 17 | 27 | 12 | 21 | 18 | 13 | 14 | 7 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 0 |
| Трансформация социально-психологических явлений в художественной литературе. Авторские права защищены | 466 | 180 | 4 | 18 | 20 | 18 | 26 | 10 | 11 | 18 | 14 | 13 | 17 | 11 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 |
| Проблема переосмысления религиозных постулатов в современное время Авторские права защищены | 409 | 179 | 7 | 14 | 25 | 13 | 31 | 22 | 12 | 13 | 8 | 13 | 9 | 12 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 |
| Цена "нежности" Медеи (гуманистическое начало в мировоззрении социума) Авторские права защищены | 413 | 167 | 3 | 17 | 19 | 16 | 19 | 11 | 11 | 16 | 14 | 19 | 13 | 9 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
| Публицистические тенденции в сочинении Гая Саллюстия Криспа "заговор Катилины", в поэме Тита Лукреция Кара "о природе вещей" Авторские права защищены | 428 | 166 | 3 | 23 | 18 | 18 | 27 | 6 | 7 | 20 | 10 | 14 | 8 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 |
| В сетях Сансары (отрывок) | 316 | 166 | 1 | 12 | 17 | 25 | 37 | 10 | 14 | 15 | 8 | 12 | 7 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 |
| Индивидуальная эсхатологическая доктрина в восприятии человека Средневековья (Аквинат, Данте, Рабле). Авторские права защищены | 450 | 165 | 3 | 7 | 23 | 24 | 18 | 9 | 8 | 21 | 14 | 14 | 9 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
| Заря и расцвет /из истории христианства/. Авторские права защищены | 424 | 165 | 3 | 14 | 24 | 17 | 25 | 8 | 10 | 17 | 13 | 12 | 9 | 13 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 |
| Преемственность поколений. Профессору Экрему Аскеровичу Алиеву исполнилось бы 80 лет | 886 | 161 | 3 | 14 | 23 | 19 | 26 | 11 | 10 | 18 | 8 | 12 | 6 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 |
| Конфликт харизматической личности с обществом и властью Авторские права защищены | 406 | 161 | 9 | 11 | 21 | 19 | 16 | 8 | 14 | 18 | 11 | 16 | 9 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 |
| Эффект декомпрессии. Авторские права защищены | 800 | 159 | 2 | 11 | 20 | 20 | 21 | 15 | 16 | 16 | 10 | 12 | 8 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 |
| Бессмертие Эдипа (к проблеме трансформации религиозного мировосприятия на ранних этапах истории). Авторские права защищены | 403 | 158 | 5 | 11 | 14 | 17 | 20 | 13 | 10 | 19 | 10 | 15 | 13 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
| Проблема конвергенции в средневековой литературе Востока и Запада Авторские права защищены | 377 | 157 | 4 | 9 | 19 | 22 | 19 | 10 | 12 | 16 | 9 | 16 | 8 | 13 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
| Когда были живы боги (об особенностях религиозного миропонимания). Авторские права защищены | 372 | 155 | 2 | 11 | 18 | 19 | 23 | 9 | 12 | 23 | 9 | 9 | 11 | 9 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
| К проблеме семантической идентичности некоторых особенностей фольклорных сюжетов Востока и Запада Авторские права защищены | 403 | 154 | 4 | 8 | 25 | 18 | 22 | 11 | 9 | 16 | 13 | 11 | 6 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
| Этнография древности (к проблеме изображения быта и мировоззрения кельтских племен Юлием Цезарем) Авторские права защищены | 371 | 152 | 1 | 13 | 14 | 15 | 28 | 8 | 14 | 16 | 9 | 11 | 11 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 |
| Информационно - комќмуќниќкаќционќная функция пражурналистских явлений (на материале мифов, легенд, сказаний) Авторские права защищены | 396 | 151 | 1 | 11 | 13 | 20 | 21 | 8 | 14 | 18 | 12 | 10 | 12 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | |
| Борьба с триумвиратом искусством слова (Афоризмы в публицистике Марка Цицерона) Авторские права защищены | 407 | 151 | 2 | 7 | 12 | 18 | 20 | 9 | 8 | 21 | 14 | 18 | 10 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
| Миф и реальность (к проблеме трансформации мировоззрения социума древней Руси в период смены политеизма монотеизмом) Авторские права защищены | 393 | 150 | 5 | 14 | 16 | 24 | 19 | 8 | 11 | 20 | 7 | 10 | 8 | 8 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 |
| Козни Сатаны . Авторские права защищены | 396 | 147 | 1 | 13 | 14 | 20 | 18 | 12 | 9 | 19 | 14 | 11 | 8 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 |
| Публицистические мотивы в письмах политического деятеля Марка Цицерона периода I триумвирата, его крушения и гражданской войны Авторские права защищены | 383 | 146 | 1 | 12 | 14 | 16 | 14 | 10 | 12 | 16 | 14 | 11 | 9 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 |
| В согласии с богами (к проблеме понимания конфликта в античном обществе). Авторские права защищены | 375 | 145 | 2 | 7 | 14 | 20 | 23 | 8 | 9 | 17 | 8 | 13 | 12 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 |
| Проблема религиозного конфликта в русской литературе: от Древней Руси к новой России Авторские права защищены | 390 | 144 | 1 | 14 | 14 | 13 | 17 | 10 | 15 | 16 | 10 | 12 | 11 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 |
| На коленях перед владыкой (к проблеме специфики мировосприятия древних социумов Востока и Запада). Авторские права защищены | 424 | 144 | 3 | 9 | 13 | 21 | 17 | 10 | 6 | 18 | 12 | 14 | 8 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
| "Народная" публицистика в древнеримском историографическом жанре Авторские права защищены | 368 | 144 | 2 | 9 | 13 | 17 | 22 | 10 | 11 | 15 | 10 | 14 | 10 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
| В сетях Сансары (авторские права защищены) | 204 | 143 | 7 | 15 | 18 | 16 | 16 | 11 | 10 | 19 | 5 | 11 | 6 | 9 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 |
| Основа дипломатии (к проблеме воздействия на массы ораторской речи) Авторские права защищены | 368 | 143 | 5 | 14 | 18 | 17 | 11 | 9 | 8 | 16 | 8 | 16 | 8 | 13 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 3 | 0 | 1 | 1 |
| К особенностям мировосприятия социума древней Руси. Авторские права защищены | 354 | 143 | 2 | 12 | 12 | 15 | 19 | 15 | 8 | 17 | 12 | 11 | 8 | 12 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 |
| Отражение в художественной литературе модификаций суфийской философии. Авторские права защищены | 409 | 139 | 1 | 13 | 13 | 12 | 19 | 9 | 10 | 20 | 10 | 13 | 10 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 |
| Особенности и трансформация мировосприятия социума в русской литературе Xviii века Авторские права защищены | 362 | 136 | 2 | 14 | 19 | 16 | 16 | 9 | 8 | 15 | 6 | 14 | 9 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 |
| В сетях Сансары Авторские права защищены | 221 | 132 | 4 | 8 | 12 | 17 | 17 | 13 | 9 | 17 | 9 | 10 | 6 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 |
| Модификации мировосприятия социума в художественной литературе Авторские права защищены | 346 | 132 | 1 | 10 | 12 | 14 | 14 | 11 | 13 | 16 | 10 | 12 | 10 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
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