| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
По разделу |
32794 | 740 |
46 |
87 |
76 |
62 |
49 |
73 |
64 |
65 |
55 |
47 |
56 |
60 |
0 |
1 |
3 |
5 |
3 |
7 |
5 |
3 |
1 |
2 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
3 |
3 |
1 |
3 |
2 |
4 |
2 |
5 |
5 |
2 |
1 |
4 |
6 |
1 |
2 |
2 |
1 |
4 |
3 |
3 |
2 |
4 |
3 |
4 |
2 |
1 |
4 |
1 |
2 |
5 |
2 |
7 |
2 |
4 |
2 |
2 |
3 |
2 |
3 |
4 |
2 |
3 |
2 |
2 |
|
Формы времени в истории культуры философско-антропологический анализ. |
8707 | 394 |
40 |
56 |
56 |
44 |
22 |
30 |
36 |
29 |
24 |
12 |
21 |
24 |
0 |
1 |
3 |
5 |
3 |
7 |
5 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
3 |
5 |
1 |
1 |
4 |
6 |
0 |
2 |
2 |
0 |
4 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
5 |
1 |
7 |
2 |
4 |
2 |
1 |
3 |
2 |
1 |
4 |
2 |
3 |
2 |
0 |
|
Маргинализация культуры: основные тенденции и направления |
5163 | 348 |
6 |
30 |
27 |
27 |
15 |
24 |
34 |
33 |
35 |
35 |
45 |
37 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
|
Формы насилия в культуре |
2467 | 220 |
13 |
36 |
21 |
17 |
12 |
13 |
19 |
20 |
22 |
13 |
17 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Архетипы европейской культуры: Эдип как художник |
2444 | 201 |
7 |
20 |
19 |
20 |
20 |
18 |
22 |
20 |
20 |
12 |
7 |
16 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
|
Очерки гос.кулинарии |
2052 | 180 |
6 |
38 |
28 |
14 |
8 |
7 |
18 |
14 |
14 |
6 |
12 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
3 |
4 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
|
Маргинальность как форма социализации |
2183 | 178 |
4 |
17 |
14 |
19 |
10 |
45 |
19 |
11 |
13 |
7 |
9 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Религия и время: темпоральность христианского сознания |
1860 | 171 |
3 |
22 |
17 |
11 |
9 |
13 |
22 |
25 |
13 |
11 |
8 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
|
Метапоэтика. Сб. поэм и медитаций |
2014 | 158 |
5 |
16 |
21 |
14 |
7 |
9 |
17 |
20 |
17 |
11 |
10 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
|
Темпоральная структура Хх века: "бегство от свободы" и обратно |
1603 | 157 |
7 |
17 |
18 |
15 |
6 |
16 |
17 |
17 |
12 |
10 |
7 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Феномен христианского модернизма |
2361 | 146 |
5 |
15 |
17 |
10 |
10 |
11 |
20 |
19 |
13 |
5 |
7 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Маскарад масскульта: эволюция маски |
1940 | 142 |
8 |
13 |
16 |
14 |
6 |
12 |
18 |
14 |
13 |
5 |
8 |
15 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |