| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
По разделу |
30848 | 504 |
4 |
56 |
60 |
58 |
54 |
44 |
34 |
36 |
32 |
41 |
40 |
45 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
4 |
3 |
2 |
2 |
6 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
4 |
2 |
3 |
5 |
3 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
Маргинализация культуры: основные тенденции и направления |
4900 | 280 |
3 |
45 |
37 |
42 |
31 |
18 |
12 |
31 |
10 |
19 |
15 |
17 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
3 |
3 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
2 |
2 |
3 |
0 |
2 |
6 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Формы времени в истории культуры философско-антропологический анализ. |
8360 | 193 |
2 |
21 |
24 |
27 |
19 |
10 |
13 |
8 |
11 |
11 |
20 |
27 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Очерки гос.кулинарии |
1899 | 127 |
0 |
12 |
15 |
12 |
16 |
17 |
14 |
7 |
9 |
9 |
5 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
Формы насилия в культуре |
2281 | 125 |
0 |
17 |
17 |
10 |
19 |
7 |
11 |
6 |
8 |
8 |
12 |
10 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Феномен христианского модернизма |
2236 | 112 |
0 |
7 |
14 |
13 |
8 |
17 |
10 |
5 |
6 |
14 |
5 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Архетипы европейской культуры: Эдип как художник |
2267 | 96 |
1 |
7 |
16 |
13 |
11 |
7 |
7 |
5 |
5 |
7 |
8 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
Метапоэтика. Сб. поэм и медитаций |
1878 | 96 |
1 |
10 |
11 |
11 |
7 |
11 |
8 |
5 |
5 |
9 |
5 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Маргинальность как форма социализации |
2024 | 85 |
0 |
9 |
10 |
9 |
7 |
16 |
7 |
3 |
4 |
8 |
4 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Религия и время: темпоральность христианского сознания |
1714 | 82 |
0 |
8 |
17 |
8 |
12 |
7 |
6 |
5 |
7 |
4 |
3 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Темпоральная структура Хх века: "бегство от свободы" и обратно |
1468 | 75 |
0 |
7 |
15 |
8 |
7 |
7 |
5 |
5 |
5 |
5 |
3 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Маскарад масскульта: эволюция маски |
1821 | 72 |
0 |
8 |
15 |
8 |
5 |
7 |
8 |
4 |
6 |
4 |
1 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |