| Итого | За последние 12 месяцев | Aug | Jul | Jun |
| Всего | 12мес | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
По разделу |
34078 | 986 |
116 |
147 |
43 |
140 |
76 |
63 |
51 |
76 |
87 |
76 |
62 |
49 |
0 |
1 |
1 |
2 |
1 |
0 |
6 |
18 |
18 |
20 |
15 |
15 |
4 |
4 |
10 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
4 |
2 |
1 |
2 |
0 |
60 |
1 |
38 |
4 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
3 |
1 |
|
Формы времени в истории культуры философско-антропологический анализ. |
9186 | 697 |
113 |
122 |
25 |
45 |
67 |
50 |
41 |
56 |
56 |
56 |
44 |
22 |
0 |
0 |
1 |
1 |
1 |
0 |
6 |
18 |
18 |
20 |
15 |
15 |
4 |
4 |
10 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
60 |
0 |
38 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Маргинализация культуры: основные тенденции и направления |
5362 | 304 |
8 |
19 |
17 |
97 |
13 |
18 |
7 |
26 |
30 |
27 |
27 |
15 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
|
Архетипы европейской культуры: Эдип как художник |
2540 | 182 |
10 |
11 |
9 |
26 |
11 |
14 |
5 |
17 |
20 |
19 |
20 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
|
Формы насилия в культуре |
2539 | 171 |
5 |
10 |
7 |
12 |
12 |
9 |
4 |
26 |
36 |
21 |
17 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Очерки гос.кулинарии |
2122 | 164 |
5 |
14 |
8 |
10 |
9 |
9 |
4 |
17 |
38 |
28 |
14 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Религия и время: темпоральность христианского сознания |
1931 | 133 |
5 |
11 |
12 |
12 |
8 |
7 |
5 |
14 |
22 |
17 |
11 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
|
Темпоральная структура Хх века: "бегство от свободы" и обратно |
1666 | 126 |
5 |
7 |
8 |
7 |
15 |
12 |
3 |
13 |
17 |
18 |
15 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Феномен христианского модернизма |
2427 | 123 |
4 |
12 |
8 |
7 |
10 |
15 |
4 |
11 |
15 |
17 |
10 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Метапоэтика. Сб. поэм и медитаций |
2074 | 123 |
2 |
11 |
7 |
12 |
8 |
12 |
4 |
9 |
16 |
21 |
14 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
Маргинальность как форма социализации |
2235 | 116 |
6 |
11 |
5 |
8 |
7 |
7 |
3 |
9 |
17 |
14 |
19 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Маскарад масскульта: эволюция маски |
1996 | 113 |
5 |
10 |
2 |
11 |
8 |
12 |
2 |
14 |
13 |
16 |
14 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |