| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
По разделу |
88320 | 1484 |
31 |
189 |
148 |
117 |
104 |
104 |
155 |
124 |
110 |
124 |
147 |
131 |
0 |
10 |
7 |
9 |
5 |
6 |
12 |
4 |
5 |
6 |
5 |
6 |
7 |
6 |
5 |
8 |
6 |
9 |
6 |
11 |
5 |
6 |
6 |
8 |
6 |
4 |
6 |
3 |
8 |
4 |
6 |
8 |
5 |
5 |
7 |
5 |
7 |
3 |
4 |
3 |
3 |
4 |
3 |
7 |
6 |
4 |
3 |
4 |
5 |
6 |
9 |
4 |
6 |
5 |
3 |
5 |
4 |
5 |
11 |
7 |
3 |
3 |
|
Русско-зарубежные литературные связи |
23075 | 915 |
17 |
106 |
83 |
68 |
63 |
47 |
95 |
66 |
51 |
96 |
121 |
102 |
0 |
10 |
2 |
5 |
0 |
6 |
2 |
4 |
2 |
2 |
5 |
4 |
2 |
3 |
1 |
8 |
6 |
4 |
6 |
1 |
4 |
4 |
6 |
8 |
0 |
2 |
1 |
2 |
8 |
2 |
1 |
2 |
4 |
1 |
5 |
5 |
7 |
2 |
4 |
2 |
1 |
0 |
2 |
7 |
2 |
4 |
3 |
3 |
5 |
3 |
5 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
1 |
2 |
2 |
|
Жанровые модификации в русской лирике 1880-1890-х гг. |
16507 | 899 |
30 |
155 |
91 |
58 |
53 |
59 |
117 |
59 |
46 |
69 |
84 |
78 |
0 |
9 |
7 |
9 |
5 |
5 |
12 |
3 |
5 |
6 |
4 |
6 |
7 |
1 |
1 |
4 |
4 |
9 |
5 |
11 |
5 |
4 |
5 |
4 |
6 |
4 |
6 |
1 |
4 |
2 |
6 |
8 |
5 |
5 |
7 |
2 |
6 |
2 |
1 |
1 |
3 |
0 |
3 |
4 |
4 |
2 |
2 |
4 |
0 |
2 |
4 |
4 |
3 |
5 |
2 |
1 |
3 |
4 |
7 |
7 |
0 |
2 |
|
Дрозд или не дрозд - вот в чём вопрос (о том, кто сидел в клетке Собакевича) |
7875 | 741 |
13 |
67 |
104 |
59 |
53 |
60 |
105 |
61 |
67 |
50 |
56 |
46 |
0 |
3 |
4 |
1 |
5 |
1 |
2 |
4 |
0 |
4 |
2 |
1 |
4 |
0 |
4 |
0 |
3 |
2 |
0 |
2 |
3 |
2 |
6 |
3 |
4 |
0 |
4 |
1 |
3 |
2 |
1 |
2 |
3 |
2 |
2 |
2 |
3 |
2 |
3 |
2 |
2 |
2 |
3 |
6 |
6 |
3 |
2 |
0 |
4 |
6 |
9 |
0 |
5 |
0 |
0 |
4 |
4 |
5 |
11 |
3 |
1 |
1 |
|
"Пиковая дама" Л.Е. Улицкой в свете традиций рождественского рассказа |
3350 | 568 |
13 |
64 |
61 |
39 |
39 |
53 |
95 |
41 |
44 |
35 |
38 |
46 |
0 |
6 |
2 |
2 |
3 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
5 |
1 |
4 |
4 |
0 |
4 |
2 |
3 |
1 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
4 |
4 |
0 |
3 |
2 |
3 |
3 |
0 |
3 |
0 |
3 |
3 |
0 |
3 |
2 |
3 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
9 |
3 |
2 |
1 |
|
О возрасте и времени в |
5102 | 541 |
8 |
61 |
64 |
38 |
39 |
48 |
93 |
47 |
33 |
33 |
34 |
43 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
3 |
1 |
4 |
3 |
2 |
0 |
0 |
5 |
0 |
3 |
4 |
3 |
0 |
3 |
6 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
4 |
1 |
1 |
3 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
7 |
2 |
2 |
2 |
0 |
3 |
2 |
6 |
1 |
6 |
2 |
0 |
5 |
0 |
3 |
0 |
2 |
0 |
2 |
|
Категория нечистоты в романе М.Е. Салтыкова-Щедрина "Господа Головлёвы" |
3937 | 466 |
9 |
50 |
43 |
34 |
27 |
41 |
92 |
43 |
36 |
25 |
34 |
32 |
0 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
0 |
2 |
1 |
5 |
2 |
3 |
1 |
0 |
3 |
1 |
4 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
|
Образ Сергия Радонежского в русской поэзии 20-21 вв. |
3533 | 420 |
3 |
51 |
45 |
25 |
27 |
34 |
79 |
25 |
14 |
37 |
48 |
32 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
5 |
3 |
0 |
3 |
0 |
3 |
0 |
1 |
4 |
3 |
2 |
1 |
3 |
1 |
2 |
3 |
2 |
4 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
3 |
3 |
2 |
3 |
|
Особенности лирики великого князя |
6210 | 410 |
8 |
40 |
44 |
24 |
24 |
32 |
74 |
24 |
19 |
35 |
45 |
41 |
0 |
5 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
5 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
|
О "философско-эротическом" романе Ф.Н. Горенштейна |
2691 | 408 |
8 |
47 |
33 |
23 |
28 |
36 |
81 |
27 |
23 |
29 |
33 |
40 |
0 |
3 |
0 |
3 |
2 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Мусорная парадигма в |
2836 | 347 |
3 |
28 |
26 |
13 |
12 |
23 |
73 |
23 |
24 |
32 |
48 |
42 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
|
Игровая поэтика романа Н.М. Карамзина "Рыцарь нашего времени" |
2936 | 335 |
9 |
35 |
39 |
21 |
20 |
16 |
65 |
21 |
15 |
35 |
23 |
36 |
0 |
0 |
0 |
4 |
5 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
6 |
6 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
4 |
2 |
4 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
|
"...Мелочь, которая ускользает от глаз" |
3164 | 299 |
3 |
29 |
33 |
17 |
19 |
25 |
71 |
18 |
12 |
25 |
23 |
24 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
4 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
|
"Метель" В. Сорокина: игра в imperfectum |
2209 | 280 |
7 |
37 |
29 |
18 |
14 |
28 |
62 |
8 |
10 |
20 |
18 |
29 |
0 |
2 |
1 |
4 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
5 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
|
О стыде и страхе в |
3084 | 252 |
5 |
40 |
26 |
19 |
8 |
19 |
61 |
14 |
9 |
13 |
22 |
16 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
5 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
1 |
3 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Черты гоголевской поэтики в повести Ф.Н. Горенштейна "Маленький фруктовый садик" |
1811 | 223 |
3 |
23 |
30 |
12 |
11 |
15 |
61 |
10 |
7 |
12 |
17 |
22 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
4 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |