Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | |
По разделу | 81284 | 1296 | 14 | 141 | 111 | 114 | 84 | 88 | 98 | 107 | 127 | 117 | 167 | 128 | 1 | 5 | 3 | 5 | 3 | 3 | 1 | 5 | 2 | 4 | 3 | 4 | 7 | 2 | 5 | 3 | 6 | 7 | 8 | 9 | 6 | 5 | 4 | 8 | 7 | 5 | 5 | 2 | 3 | 3 | 4 | 7 | 4 | 4 | 2 | 4 | 8 | 5 | 4 | 4 | 5 | 2 | 1 | 0 | 3 | 6 | 5 | 2 | 4 | 2 | 3 | 2 | 7 | 3 | 8 | 3 | 2 | 8 | 3 | 2 | 3 | 4 |
Русско-зарубежные литературные связи | 22172 | 915 | 12 | 103 | 71 | 58 | 53 | 24 | 29 | 81 | 103 | 93 | 163 | 125 | 0 | 5 | 2 | 5 | 1 | 3 | 1 | 5 | 2 | 4 | 1 | 4 | 7 | 2 | 5 | 0 | 6 | 2 | 4 | 5 | 6 | 5 | 4 | 8 | 7 | 0 | 3 | 2 | 3 | 3 | 2 | 1 | 4 | 1 | 2 | 4 | 8 | 5 | 2 | 2 | 5 | 2 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 1 | 2 | 1 | 3 | 3 | 8 | 1 | 0 | 0 | 3 | 1 | 0 | 4 |
Жанровые модификации в русской лирике 1880-1890-х гг. | 15610 | 752 | 2 | 110 | 89 | 68 | 55 | 73 | 77 | 65 | 83 | 55 | 42 | 33 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 2 | 0 | 3 | 3 | 3 | 4 | 2 | 1 | 3 | 6 | 7 | 8 | 9 | 4 | 5 | 3 | 7 | 4 | 5 | 5 | 2 | 1 | 2 | 3 | 7 | 1 | 4 | 1 | 3 | 7 | 3 | 4 | 3 | 3 | 0 | 1 | 0 | 3 | 6 | 5 | 1 | 4 | 1 | 3 | 2 | 7 | 3 | 2 | 3 | 2 | 8 | 3 | 2 | 3 | 2 |
Дрозд или не дрозд - вот в чём вопрос (о том, кто сидел в клетке Собакевича) | 7139 | 400 | 5 | 36 | 25 | 34 | 34 | 28 | 38 | 32 | 40 | 53 | 42 | 33 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 4 | 1 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
"Пиковая дама" Л.Е. Улицкой в свете традиций рождественского рассказа | 2786 | 302 | 4 | 30 | 33 | 32 | 23 | 21 | 30 | 14 | 33 | 29 | 28 | 25 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 |
Категория нечистоты в романе М.Е. Салтыкова-Щедрина "Господа Головлёвы" | 3474 | 277 | 3 | 32 | 20 | 26 | 20 | 19 | 19 | 29 | 42 | 32 | 17 | 18 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 |
Образ Сергия Радонежского в русской поэзии 20-21 вв. | 3117 | 266 | 4 | 19 | 29 | 21 | 21 | 17 | 22 | 26 | 40 | 30 | 20 | 17 | 1 | 1 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 1 |
Мусорная парадигма в | 2492 | 256 | 3 | 24 | 34 | 35 | 22 | 26 | 20 | 12 | 26 | 24 | 14 | 16 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 4 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 |
О возрасте и времени в | 4565 | 251 | 4 | 34 | 25 | 16 | 14 | 10 | 20 | 19 | 35 | 32 | 19 | 23 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
Особенности лирики великого князя | 5808 | 249 | 8 | 27 | 24 | 24 | 25 | 11 | 15 | 12 | 36 | 29 | 18 | 20 | 1 | 5 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 1 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 |
О "философско-эротическом" романе Ф.Н. Горенштейна | 2286 | 236 | 3 | 26 | 22 | 14 | 18 | 15 | 28 | 22 | 30 | 24 | 21 | 13 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
Игровая поэтика романа Н.М. Карамзина "Рыцарь нашего времени" | 2606 | 221 | 5 | 21 | 11 | 21 | 15 | 11 | 19 | 13 | 43 | 27 | 17 | 18 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
"...Мелочь, которая ускользает от глаз" | 2869 | 152 | 4 | 14 | 14 | 10 | 6 | 5 | 9 | 11 | 25 | 26 | 17 | 11 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
"Метель" В. Сорокина: игра в imperfectum | 1933 | 129 | 4 | 8 | 15 | 14 | 6 | 6 | 8 | 5 | 19 | 21 | 11 | 12 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 |
Черты гоголевской поэтики в повести Ф.Н. Горенштейна "Маленький фруктовый садик" | 1592 | 125 | 4 | 11 | 14 | 10 | 5 | 6 | 9 | 10 | 18 | 21 | 9 | 8 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
О стыде и страхе в | 2835 | 118 | 3 | 7 | 8 | 6 | 8 | 7 | 10 | 8 | 26 | 16 | 10 | 9 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Связаться с программистом сайта. | |