| Итого | За последние 12 месяцев | Jan | Dec | Nov |
| Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
По разделу |
89391 | 1631 |
83 |
226 |
189 |
148 |
117 |
104 |
104 |
155 |
124 |
110 |
124 |
147 |
0 |
10 |
8 |
5 |
5 |
9 |
9 |
7 |
6 |
6 |
3 |
5 |
7 |
3 |
7 |
6 |
11 |
6 |
3 |
5 |
10 |
6 |
6 |
8 |
13 |
10 |
9 |
7 |
9 |
12 |
4 |
4 |
10 |
6 |
5 |
10 |
7 |
5 |
8 |
4 |
4 |
10 |
7 |
9 |
5 |
6 |
12 |
4 |
5 |
6 |
5 |
6 |
7 |
6 |
5 |
8 |
6 |
9 |
6 |
11 |
5 |
6 |
|
Жанровые модификации в русской лирике 1880-1890-х гг. |
16759 | 1073 |
74 |
208 |
155 |
91 |
58 |
53 |
59 |
117 |
59 |
46 |
69 |
84 |
0 |
10 |
8 |
5 |
5 |
9 |
8 |
7 |
6 |
6 |
3 |
3 |
3 |
1 |
1 |
2 |
11 |
6 |
1 |
5 |
10 |
4 |
6 |
8 |
13 |
10 |
9 |
7 |
9 |
12 |
4 |
2 |
10 |
6 |
5 |
10 |
7 |
4 |
8 |
4 |
4 |
9 |
7 |
9 |
5 |
5 |
12 |
3 |
5 |
6 |
4 |
6 |
7 |
1 |
1 |
4 |
4 |
9 |
5 |
11 |
5 |
4 |
|
Русско-зарубежные литературные связи |
23206 | 944 |
41 |
107 |
106 |
83 |
68 |
63 |
47 |
95 |
66 |
51 |
96 |
121 |
0 |
3 |
1 |
2 |
3 |
4 |
9 |
2 |
3 |
1 |
1 |
4 |
7 |
1 |
7 |
2 |
1 |
1 |
3 |
2 |
6 |
4 |
4 |
5 |
2 |
5 |
4 |
5 |
2 |
4 |
3 |
2 |
2 |
0 |
4 |
2 |
6 |
2 |
6 |
2 |
4 |
10 |
2 |
5 |
0 |
6 |
2 |
4 |
2 |
2 |
5 |
4 |
2 |
3 |
1 |
8 |
6 |
4 |
6 |
1 |
4 |
4 |
|
Дрозд или не дрозд - вот в чём вопрос (о том, кто сидел в клетке Собакевича) |
7950 | 770 |
18 |
70 |
67 |
104 |
59 |
53 |
60 |
105 |
61 |
67 |
50 |
56 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
4 |
0 |
1 |
6 |
0 |
2 |
1 |
3 |
1 |
6 |
0 |
3 |
0 |
3 |
3 |
2 |
4 |
0 |
3 |
1 |
3 |
1 |
2 |
4 |
0 |
4 |
0 |
2 |
2 |
3 |
4 |
1 |
5 |
1 |
2 |
4 |
0 |
4 |
2 |
1 |
4 |
0 |
4 |
0 |
3 |
2 |
0 |
2 |
3 |
2 |
|
"Пиковая дама" Л.Е. Улицкой в свете традиций рождественского рассказа |
3423 | 595 |
23 |
63 |
64 |
61 |
39 |
39 |
53 |
95 |
41 |
44 |
35 |
38 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
1 |
4 |
1 |
0 |
5 |
1 |
3 |
1 |
6 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
3 |
3 |
4 |
2 |
3 |
0 |
0 |
3 |
6 |
2 |
2 |
3 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
5 |
1 |
4 |
4 |
0 |
4 |
2 |
|
О возрасте и времени в |
5162 | 558 |
13 |
55 |
61 |
64 |
38 |
39 |
48 |
93 |
47 |
33 |
33 |
34 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
6 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
4 |
0 |
3 |
0 |
1 |
4 |
1 |
2 |
1 |
4 |
1 |
2 |
3 |
1 |
4 |
3 |
2 |
0 |
0 |
5 |
0 |
3 |
4 |
3 |
0 |
3 |
6 |
|
Категория нечистоты в романе М.Е. Салтыкова-Щедрина "Господа Головлёвы" |
4002 | 499 |
19 |
55 |
50 |
43 |
34 |
27 |
41 |
92 |
43 |
36 |
25 |
34 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
4 |
1 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
0 |
2 |
1 |
5 |
|
Образ Сергия Радонежского в русской поэзии 20-21 вв. |
3600 | 455 |
17 |
53 |
51 |
45 |
25 |
27 |
34 |
79 |
25 |
14 |
37 |
48 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
6 |
1 |
2 |
3 |
2 |
0 |
2 |
2 |
3 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
4 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
4 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
5 |
|
Особенности лирики великого князя |
6288 | 447 |
17 |
69 |
40 |
44 |
24 |
24 |
32 |
74 |
24 |
19 |
35 |
45 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
4 |
6 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
5 |
1 |
3 |
4 |
3 |
1 |
3 |
3 |
5 |
2 |
0 |
2 |
5 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
|
О "философско-эротическом" романе Ф.Н. Горенштейна |
2751 | 428 |
21 |
47 |
47 |
33 |
23 |
28 |
36 |
81 |
27 |
23 |
29 |
33 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
5 |
1 |
2 |
3 |
1 |
0 |
5 |
1 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
2 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
2 |
0 |
1 |
|
Игровая поэтика романа Н.М. Карамзина "Рыцарь нашего времени" |
2982 | 345 |
7 |
48 |
35 |
39 |
21 |
20 |
16 |
65 |
21 |
15 |
35 |
23 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
2 |
2 |
3 |
5 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
5 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
6 |
6 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
|
Мусорная парадигма в |
2866 | 335 |
10 |
23 |
28 |
26 |
13 |
12 |
23 |
73 |
23 |
24 |
32 |
48 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
|
"...Мелочь, которая ускользает от глаз" |
3212 | 323 |
11 |
40 |
29 |
33 |
17 |
19 |
25 |
71 |
18 |
12 |
25 |
23 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
|
"Метель" В. Сорокина: игра в imperfectum |
2240 | 282 |
13 |
25 |
37 |
29 |
18 |
14 |
28 |
62 |
8 |
10 |
20 |
18 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
5 |
|
О стыде и страхе в |
3115 | 267 |
11 |
25 |
40 |
26 |
19 |
8 |
19 |
61 |
14 |
9 |
13 |
22 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
5 |
2 |
|
Черты гоголевской поэтики в повести Ф.Н. Горенштейна "Маленький фруктовый садик" |
1835 | 225 |
9 |
18 |
23 |
30 |
12 |
11 |
15 |
61 |
10 |
7 |
12 |
17 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |