Итого | За последние 12 месяцев | Jul | Jun | May | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | |
По разделу | 79239 | 1386 | 81 | 107 | 127 | 117 | 167 | 128 | 136 | 121 | 124 | 126 | 82 | 70 | 0 | 5 | 4 | 3 | 3 | 4 | 3 | 4 | 5 | 7 | 3 | 3 | 1 | 5 | 2 | 2 | 3 | 3 | 3 | 1 | 2 | 2 | 2 | 3 | 2 | 3 | 3 | 5 | 2 | 2 | 2 | 3 | 4 | 1 | 6 | 4 | 2 | 5 | 4 | 1 | 3 | 2 | 2 | 3 | 4 | 6 | 3 | 4 | 9 | 3 | 3 | 4 | 4 | 6 | 4 | 4 | 2 | 3 | 5 | 4 | 2 | 2 |
Русско-зарубежные литературные связи | 21846 | 1097 | 24 | 81 | 103 | 93 | 163 | 125 | 117 | 90 | 115 | 99 | 49 | 38 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 5 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 4 | 2 | 5 | 1 | 1 | 1 | 2 | 2 | 1 | 4 | 6 | 3 | 2 | 4 | 2 | 3 | 4 | 4 | 6 | 4 | 4 | 1 | 2 | 1 | 4 | 2 | 2 |
Жанровые модификации в русской лирике 1880-1890-х гг. | 15196 | 623 | 60 | 65 | 83 | 55 | 42 | 33 | 51 | 87 | 63 | 37 | 21 | 26 | 0 | 5 | 4 | 3 | 3 | 4 | 3 | 4 | 5 | 7 | 3 | 2 | 1 | 5 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 4 | 1 | 1 | 3 | 4 | 0 | 3 | 1 | 2 | 3 | 1 | 3 | 2 | 4 | 9 | 3 | 3 | 3 | 1 | 2 | 2 | 4 | 0 | 3 | 5 | 3 | 0 | 0 |
Дрозд или не дрозд - вот в чём вопрос (о том, кто сидел в клетке Собакевича) | 6972 | 398 | 33 | 32 | 40 | 53 | 42 | 33 | 29 | 24 | 27 | 33 | 32 | 20 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 3 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 3 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 4 | 0 | 6 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Образ Сергия Радонежского в русской поэзии 20-21 вв. | 3006 | 311 | 22 | 26 | 40 | 30 | 20 | 17 | 16 | 16 | 19 | 46 | 38 | 21 | 0 | 3 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 4 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
"Пиковая дама" Л.Е. Улицкой в свете традиций рождественского рассказа | 2640 | 297 | 27 | 14 | 33 | 29 | 28 | 25 | 16 | 32 | 25 | 25 | 18 | 25 | 0 | 2 | 2 | 0 | 0 | 4 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
О возрасте и времени в | 4460 | 294 | 18 | 19 | 35 | 32 | 19 | 23 | 16 | 24 | 23 | 39 | 27 | 19 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
Категория нечистоты в романе М.Е. Салтыкова-Щедрина "Господа Головлёвы" | 3352 | 293 | 17 | 29 | 42 | 32 | 17 | 18 | 33 | 24 | 24 | 23 | 19 | 15 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 |
Особенности лирики великого князя | 5686 | 258 | 12 | 12 | 36 | 29 | 18 | 20 | 23 | 35 | 20 | 26 | 18 | 9 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 |
О "философско-эротическом" романе Ф.Н. Горенштейна | 2181 | 244 | 21 | 22 | 30 | 24 | 21 | 13 | 13 | 27 | 29 | 18 | 15 | 11 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Игровая поэтика романа Н.М. Карамзина "Рыцарь нашего времени" | 2521 | 241 | 18 | 13 | 43 | 27 | 17 | 18 | 18 | 23 | 24 | 19 | 11 | 10 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Мусорная парадигма в | 2347 | 192 | 19 | 12 | 26 | 24 | 14 | 16 | 11 | 13 | 12 | 17 | 14 | 14 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
"...Мелочь, которая ускользает от глаз" | 2816 | 177 | 9 | 11 | 25 | 26 | 17 | 11 | 8 | 15 | 18 | 11 | 13 | 13 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
О стыде и страхе в | 2795 | 143 | 9 | 8 | 26 | 16 | 10 | 9 | 12 | 9 | 16 | 11 | 11 | 6 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
"Метель" В. Сорокина: игра в imperfectum | 1880 | 137 | 8 | 5 | 19 | 21 | 11 | 12 | 13 | 9 | 10 | 16 | 7 | 6 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Черты гоголевской поэтики в повести Ф.Н. Горенштейна "Маленький фруктовый садик" | 1541 | 120 | 8 | 10 | 18 | 21 | 9 | 8 | 6 | 9 | 10 | 10 | 7 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
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