| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 |
|
По разделу |
95315 | 2089 |
40 |
134 |
135 |
199 |
233 |
164 |
178 |
191 |
213 |
170 |
206 |
226 |
0 |
5 |
5 |
3 |
4 |
6 |
7 |
3 |
6 |
1 |
3 |
6 |
7 |
4 |
2 |
2 |
4 |
1 |
4 |
5 |
3 |
4 |
6 |
5 |
4 |
3 |
1 |
8 |
4 |
4 |
4 |
4 |
4 |
4 |
6 |
10 |
6 |
2 |
6 |
4 |
4 |
5 |
4 |
3 |
7 |
2 |
3 |
4 |
2 |
2 |
7 |
4 |
2 |
5 |
7 |
10 |
4 |
7 |
3 |
4 |
4 |
5 |
|
Жанровые модификации в русской лирике 1880-1890-х гг. |
18071 | 1594 |
19 |
88 |
101 |
115 |
71 |
125 |
160 |
170 |
198 |
153 |
186 |
208 |
0 |
1 |
2 |
2 |
2 |
1 |
3 |
2 |
6 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
4 |
0 |
4 |
3 |
0 |
3 |
2 |
5 |
1 |
1 |
0 |
8 |
1 |
2 |
2 |
0 |
4 |
0 |
6 |
10 |
4 |
2 |
6 |
4 |
3 |
3 |
4 |
2 |
7 |
0 |
0 |
4 |
0 |
2 |
7 |
4 |
2 |
5 |
1 |
10 |
4 |
7 |
1 |
1 |
0 |
5 |
|
Русско-зарубежные литературные связи |
24007 | 949 |
29 |
93 |
68 |
45 |
66 |
58 |
95 |
107 |
99 |
80 |
102 |
107 |
0 |
5 |
0 |
3 |
2 |
6 |
7 |
1 |
4 |
1 |
3 |
5 |
4 |
4 |
1 |
2 |
1 |
0 |
2 |
5 |
3 |
4 |
6 |
3 |
2 |
3 |
1 |
5 |
4 |
4 |
4 |
3 |
1 |
2 |
1 |
3 |
6 |
2 |
1 |
4 |
4 |
5 |
1 |
3 |
2 |
2 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
5 |
3 |
1 |
3 |
0 |
1 |
2 |
2 |
|
Дрозд или не дрозд - вот в чём вопрос (о том, кто сидел в клетке Собакевича) |
8441 | 579 |
5 |
32 |
31 |
22 |
44 |
52 |
72 |
80 |
62 |
53 |
56 |
70 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
|
Особенности лирики великого князя |
6769 | 567 |
7 |
41 |
28 |
43 |
151 |
36 |
57 |
42 |
34 |
25 |
34 |
69 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
6 |
5 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
5 |
|
О возрасте и времени в |
5553 | 459 |
10 |
52 |
27 |
17 |
39 |
45 |
52 |
48 |
41 |
31 |
42 |
55 |
0 |
2 |
5 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
7 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
5 |
3 |
4 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
5 |
|
"Пиковая дама" Л.Е. Улицкой в свете традиций рождественского рассказа |
3772 | 435 |
6 |
38 |
26 |
18 |
33 |
46 |
49 |
36 |
42 |
29 |
49 |
63 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
|
Образ Сергия Радонежского в русской поэзии 20-21 вв. |
3952 | 422 |
13 |
36 |
27 |
18 |
124 |
19 |
33 |
24 |
27 |
16 |
32 |
53 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
0 |
4 |
4 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
0 |
|
Категория нечистоты в романе М.Е. Салтыкова-Щедрина "Господа Головлёвы" |
4324 | 396 |
8 |
27 |
22 |
21 |
34 |
38 |
39 |
46 |
39 |
26 |
41 |
55 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
1 |
0 |
|
"Метель" В. Сорокина: игра в imperfectum |
2525 | 323 |
7 |
18 |
11 |
114 |
31 |
13 |
17 |
24 |
17 |
12 |
34 |
25 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
|
О "философско-эротическом" романе Ф.Н. Горенштейна |
3005 | 322 |
12 |
38 |
21 |
19 |
29 |
19 |
32 |
24 |
23 |
20 |
38 |
47 |
0 |
1 |
0 |
2 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
|
Игровая поэтика романа Н.М. Карамзина "Рыцарь нашего времени" |
3201 | 274 |
6 |
21 |
12 |
21 |
27 |
12 |
29 |
15 |
38 |
20 |
25 |
48 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
"...Мелочь, которая ускользает от глаз" |
3410 | 249 |
6 |
28 |
32 |
25 |
22 |
11 |
16 |
16 |
18 |
16 |
19 |
40 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
7 |
0 |
2 |
3 |
1 |
4 |
2 |
0 |
|
О стыде и страхе в |
3306 | 227 |
4 |
18 |
13 |
25 |
13 |
12 |
30 |
18 |
18 |
14 |
37 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Мусорная парадигма в |
3022 | 189 |
5 |
31 |
15 |
15 |
15 |
11 |
14 |
15 |
16 |
10 |
19 |
23 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
|
Черты гоголевской поэтики в повести Ф.Н. Горенштейна "Маленький фруктовый садик" |
1957 | 149 |
8 |
15 |
14 |
12 |
15 |
10 |
11 |
8 |
16 |
4 |
18 |
18 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |