| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 |
|
По разделу |
39470 | 2211 |
78 |
124 |
106 |
143 |
188 |
378 |
219 |
213 |
211 |
183 |
168 |
200 |
0 |
8 |
4 |
3 |
6 |
4 |
5 |
6 |
4 |
6 |
4 |
3 |
2 |
16 |
7 |
6 |
5 |
8 |
7 |
4 |
3 |
2 |
5 |
4 |
3 |
3 |
2 |
3 |
4 |
4 |
4 |
2 |
4 |
2 |
4 |
6 |
4 |
6 |
3 |
3 |
6 |
5 |
1 |
3 |
3 |
5 |
2 |
3 |
1 |
1 |
5 |
2 |
4 |
6 |
5 |
3 |
6 |
6 |
3 |
4 |
3 |
5 |
|
Культурный цикл: режиссура от шестидесятников к поколению-post/ |
5191 | 1747 |
35 |
103 |
89 |
139 |
132 |
120 |
208 |
195 |
210 |
179 |
159 |
178 |
0 |
2 |
4 |
2 |
1 |
2 |
2 |
1 |
4 |
5 |
4 |
3 |
1 |
2 |
2 |
5 |
5 |
6 |
7 |
4 |
1 |
2 |
5 |
2 |
2 |
1 |
2 |
3 |
2 |
4 |
4 |
0 |
4 |
0 |
4 |
6 |
4 |
6 |
3 |
1 |
6 |
5 |
1 |
3 |
0 |
5 |
2 |
1 |
1 |
1 |
5 |
2 |
3 |
6 |
3 |
2 |
2 |
3 |
3 |
1 |
3 |
5 |
|
Режиссеры-шестидесятники |
2466 | 560 |
19 |
37 |
31 |
45 |
92 |
28 |
51 |
50 |
44 |
36 |
47 |
80 |
0 |
1 |
1 |
1 |
4 |
0 |
3 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
4 |
3 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
2 |
0 |
|
Успех Дмитрия Крымова |
4605 | 223 |
14 |
23 |
15 |
19 |
18 |
18 |
15 |
15 |
18 |
12 |
26 |
30 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Смерть драмы |
4039 | 196 |
14 |
15 |
16 |
16 |
19 |
14 |
14 |
20 |
16 |
10 |
21 |
21 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
Режиссер Игорь Яцко - школа Васильева |
4854 | 194 |
9 |
26 |
15 |
12 |
24 |
21 |
10 |
14 |
12 |
7 |
19 |
25 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Мышкин, Тьмышкин и другие |
2437 | 189 |
7 |
15 |
13 |
14 |
21 |
16 |
11 |
13 |
14 |
15 |
17 |
33 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Мир идей первичен. Интервью с А. Огаревым |
2165 | 186 |
10 |
28 |
17 |
14 |
18 |
15 |
20 |
14 |
14 |
9 |
14 |
13 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Режиссеры-шестидесятники |
1222 | 171 |
4 |
19 |
13 |
14 |
15 |
10 |
14 |
19 |
14 |
11 |
22 |
16 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О тенденциях современной режиссуры |
1893 | 170 |
8 |
28 |
17 |
14 |
13 |
9 |
12 |
13 |
14 |
7 |
15 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Вся жизнь. "Старик и море" в постановке А. Васильева |
1992 | 169 |
8 |
21 |
17 |
15 |
11 |
13 |
11 |
13 |
13 |
6 |
20 |
21 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Эпатаж и игра в спектаклях Константина Богомолова |
3028 | 147 |
9 |
14 |
14 |
13 |
13 |
9 |
7 |
11 |
14 |
7 |
20 |
16 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Маски Гоголя |
2278 | 147 |
11 |
12 |
7 |
11 |
12 |
7 |
9 |
12 |
13 |
7 |
24 |
22 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Ученик и учитель |
3008 | 147 |
10 |
10 |
10 |
10 |
15 |
10 |
5 |
12 |
13 |
8 |
22 |
22 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Логика перемен. Анатолий Васильев: между прошлым и будущим |
138 | 138 |
71 |
40 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
8 |
4 |
2 |
6 |
4 |
5 |
6 |
2 |
6 |
2 |
2 |
1 |
16 |
7 |
3 |
3 |
8 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
2 |
5 |
3 |
5 |
0 |
0 |
1 |
2 |
1 |
|
Театр Анатолия Васильева 70-80 гг. Метод и эстетика |
96 | 96 |
13 |
53 |
30 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
6 |
2 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
3 |
4 |
3 |
2 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
6 |
6 |
2 |
1 |
2 |
1 |
|
Миндаугас Карбаускис: в поисках дома |
58 | 58 |
10 |
23 |
25 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
1 |