| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
|
По разделу |
472835 | 4482 |
26 |
221 |
171 |
258 |
1459 |
499 |
500 |
253 |
233 |
299 |
317 |
246 |
0 |
4 |
8 |
5 |
2 |
7 |
6 |
8 |
6 |
4 |
12 |
5 |
4 |
8 |
12 |
11 |
7 |
4 |
4 |
11 |
4 |
7 |
7 |
4 |
4 |
4 |
21 |
6 |
5 |
5 |
11 |
4 |
7 |
14 |
4 |
7 |
5 |
3 |
10 |
5 |
16 |
7 |
7 |
7 |
2 |
4 |
6 |
6 |
6 |
3 |
2 |
3 |
3 |
3 |
7 |
5 |
3 |
6 |
3 |
3 |
3 |
8 |
|
"Герои и сюжеты русской литературы 19 века: имена, образы, идеи". |
163237 | 3399 |
9 |
84 |
101 |
188 |
1343 |
177 |
358 |
147 |
199 |
290 |
287 |
216 |
0 |
0 |
4 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
0 |
5 |
1 |
1 |
2 |
11 |
3 |
4 |
3 |
3 |
1 |
4 |
3 |
3 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
3 |
4 |
2 |
5 |
4 |
3 |
10 |
3 |
4 |
6 |
2 |
7 |
2 |
3 |
3 |
3 |
2 |
3 |
1 |
2 |
3 |
2 |
2 |
0 |
3 |
3 |
0 |
1 |
3 |
2 |
|
"Болваны" |
22448 | 1866 |
26 |
187 |
147 |
124 |
196 |
348 |
151 |
159 |
151 |
101 |
143 |
133 |
0 |
4 |
8 |
5 |
2 |
7 |
6 |
7 |
6 |
2 |
12 |
3 |
4 |
8 |
12 |
7 |
7 |
4 |
3 |
11 |
2 |
7 |
2 |
4 |
4 |
4 |
21 |
6 |
2 |
2 |
11 |
3 |
3 |
14 |
3 |
2 |
5 |
1 |
0 |
4 |
16 |
7 |
7 |
7 |
2 |
4 |
6 |
6 |
6 |
2 |
2 |
2 |
0 |
1 |
7 |
5 |
2 |
6 |
3 |
3 |
0 |
8 |
|
"География и пространство русской литературы 19 века" |
26846 | 1110 |
4 |
63 |
49 |
168 |
87 |
101 |
130 |
161 |
130 |
77 |
59 |
81 |
0 |
0 |
4 |
0 |
0 |
0 |
6 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
3 |
3 |
0 |
1 |
2 |
0 |
4 |
2 |
4 |
2 |
3 |
1 |
0 |
1 |
3 |
4 |
1 |
2 |
1 |
7 |
2 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
3 |
3 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
|
Преддуэльная история Пушкина (загадки и гипотезы) |
23844 | 713 |
7 |
99 |
38 |
62 |
54 |
58 |
94 |
76 |
44 |
44 |
62 |
75 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
8 |
1 |
0 |
0 |
5 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
3 |
7 |
4 |
2 |
3 |
6 |
5 |
5 |
5 |
2 |
2 |
7 |
9 |
4 |
7 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
0 |
2 |
1 |
2 |
|
Тема смерти в новелле о любви ("Кармен" П. Мериме) |
17148 | 579 |
8 |
69 |
29 |
36 |
56 |
50 |
56 |
52 |
53 |
46 |
59 |
65 |
0 |
3 |
4 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
1 |
5 |
2 |
2 |
5 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
5 |
4 |
3 |
5 |
4 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
|
Военная судьба М.Ю. Лермонтова |
27779 | 513 |
4 |
37 |
18 |
22 |
43 |
51 |
52 |
63 |
55 |
55 |
42 |
71 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
6 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Ностальгия по жертвоприношению |
7096 | 505 |
5 |
23 |
21 |
22 |
20 |
120 |
142 |
43 |
26 |
20 |
27 |
36 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
|
Образ Христа и концепция человека в романе Ф.М. Достоевского "Идиот" |
20365 | 496 |
3 |
47 |
27 |
29 |
37 |
40 |
44 |
50 |
55 |
29 |
59 |
76 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
"Тютчев: душа на грани двух миров (Секрет неистощимой двойственности художника)" |
12413 | 494 |
2 |
47 |
22 |
24 |
51 |
53 |
51 |
51 |
36 |
30 |
51 |
76 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
4 |
2 |
4 |
3 |
1 |
8 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
|
Тема тщеславия в романе Стендаля "Красное и черное" |
31139 | 487 |
5 |
33 |
33 |
29 |
39 |
60 |
45 |
38 |
54 |
39 |
56 |
56 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
|
Рассказ М.А. Шолохова "Судьба человека и "Книга Иова" |
20326 | 454 |
6 |
34 |
26 |
26 |
26 |
34 |
30 |
64 |
41 |
48 |
51 |
68 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
|
"Музыкальное мышление Ф.М. Достоевского и лейтмотивность композиций его романов" |
6717 | 402 |
4 |
26 |
19 |
25 |
35 |
50 |
48 |
46 |
47 |
25 |
33 |
44 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Дело чести, или Метаморфозы русской дуэли |
11006 | 350 |
4 |
36 |
27 |
23 |
28 |
32 |
24 |
33 |
48 |
26 |
31 |
38 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
"Семейные сны" |
11300 | 311 |
3 |
32 |
23 |
22 |
33 |
36 |
33 |
22 |
40 |
8 |
19 |
40 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
5 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
|
Русские писатели |
14951 | 283 |
2 |
16 |
16 |
105 |
17 |
13 |
22 |
13 |
24 |
6 |
26 |
23 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Будем как дети |
12408 | 283 |
5 |
40 |
35 |
32 |
21 |
19 |
24 |
17 |
24 |
12 |
27 |
27 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
2 |
0 |
1 |
|
"Роза мира" Даниила Андреева и чудо как культурно-исторический факт |
8359 | 268 |
2 |
25 |
19 |
18 |
38 |
19 |
17 |
23 |
32 |
15 |
24 |
36 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Тарковский остался собой |
7434 | 260 |
3 |
18 |
19 |
106 |
13 |
15 |
10 |
16 |
13 |
9 |
17 |
21 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
|
"Литературоведение как миф" |
9822 | 257 |
7 |
43 |
21 |
24 |
28 |
14 |
23 |
23 |
21 |
11 |
17 |
25 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |